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This masterful production should prove that "Sweeney Todd," which was created as a Broadway musical, merits opera status, not only for its big themes - murder, revenge and pervasive corruption, to name a few - but also for its sheer sweep: a powerful score, 36 choristers under the direction of Carol Rausch and the 60-member Louisiana Philharmonic Orchestra under the baton of Robert Lyall. Leading the way is Grimsley, a bass-baritone who comes on angry and never lets up in his intensity throughout the opera's three-hour running time as he goes from anger to a desire for bloody revenge. Grimsley's voice is a muscular marvel - his ability to hold a note is amazing - but he's also a fine actor. I especially like a brief moment in Act I when Todd sees his prized silver razor for the first time in 15 years. His delight is subtle, possibly easy to overlook in the vast Mahalia Jackson Theater for the Performing Arts, but it leaves no doubt that the razor is the most important thing in his life. Never mind that Lovett throws herself at Todd; for him, it's all about the razor. Bybee, a mezzo-soprano, shows off her range as an actress and vocalist as Lovett, singing love songs to Todd; trying to distract the suspicious Tobias (Ian McEuen) about what's going on in the bakehouse; and mastering a warp-speed patter song at the top of Act II when she is dealing with hungry customers, ordering Tobias about and placating Todd as he anxiously awaits the arrival of his barber chair and the evil Judge Turpin (Peter Volpe), the principal target of his wrath. 'Sweeney Todd' What: Stephen Sondheim's 'Sweeney Todd: The Demon Barber of Fleet Street' Where: Mahalia Jackson Theater for the Performing Arts When: Sunday (Feb. 12) at 2:30 p.m. More information: Tickets range from $26 to $218 apiece, plus service charges, and can be ordered from the box office (504.529.3000) or online at www.neworleansopera.org . There's a subplot involving young lovers: Johanna (Emma Grimsley), Todd's daughter and the judge's ward, and Anthony Hope (Harry Greenleaf), a sailor who, of course, is smitten at first sight.
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By altering the embryonic heartbeat, exposure to oil can transform the shape of the heart, with implications for how well the fish can swim and survive as an adult. 7. Caught between a rock and a hard place The boulder nicknamed "Mearns Rock," located in the southwest corner of Prince William Sound, Alaska, was coated in oil which was not cleaned off after the 1989 Exxon Valdez oil spill. This image was taken in 2003. (NOAA) Not all impacts from an oil spill are as easy to see as deformed fish hearts. As NOAA scientists Alan Mearns and Gary Shigenaka have learned since 1989, picking out those impacts from the noisy background levels of variability in the natural environment become even harder when the global climate and ocean are undergoing unprecedented change as well. Mearns, for example, has been monitoring the boom and bust cycles of marine life on a large bouldernicknamed "Mearns Rock" that was oiled but not cleaned after the Exxon Valdez oil spill. What he and Shigenaka have observed on that rock and elsewhere in Prince William Sound has revealed large natural swings in the numbers of mussels, seaweeds, and barnacles , changes which are unrelated to the oil spill as they were occurring even in areas untouched by the spill. 8. A game culture The game On the Rocks: The Great Alaska Oil Spill challenges players to clean all 200 miles of shoreline oiled by the Exxon Valdez -- and do so with limits on time and money. (Credit: Alaska Resources Library and Information Services, ARLIS) Just as the Exxon Valdez oil spill touched approximately 200 miles of remote and rugged Alaskan shoreline, this spill also touched the hearts and minds of people far from the spill.
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